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  • 2025
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  • 13
  • Restoring a Timeless Treasure
Bulletin

Restoring a Timeless Treasure

13th Jan 202513th Jan 2025L. Crankshaw

Union High School boasts an exceptional musical programme, embodied by its stunning Blรผthner Patent Grand Piano, Model 7.

๐˜›๐˜ฉ๐˜ช๐˜ด ๐˜ฆ๐˜น๐˜ฒ๐˜ถ๐˜ช๐˜ด๐˜ช๐˜ต๐˜ฆ ๐˜ช๐˜ฏ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต, ๐˜ฐ๐˜ณ๐˜ช๐˜จ๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ค๐˜ณ๐˜ข๐˜ง๐˜ต๐˜ฆ๐˜ฅ ๐˜ข๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ 1906, ๐˜ช๐˜ด ๐˜ข ๐˜ต๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜น๐˜ค๐˜ฆ๐˜ฑ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜ค๐˜ณ๐˜ข๐˜ง๐˜ต๐˜ด๐˜ฎ๐˜ข๐˜ฏ๐˜ด๐˜ฉ๐˜ช๐˜ฑ ๐˜ฐ๐˜ง ๐˜ช๐˜ต๐˜ด ๐˜ต๐˜ช๐˜ฎ๐˜ฆ โ€“ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ข ๐˜ญ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ ๐˜ฐ๐˜ง 192๐˜ค๐˜ฎ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜‰๐˜ญรผ๐˜ต๐˜ฉ๐˜ฏ๐˜ฆ๐˜ณ ๐˜”๐˜ฐ๐˜ฅ๐˜ฆ๐˜ญ 7 ๐˜ช๐˜ด ๐˜ณ๐˜ฆ๐˜ฏ๐˜ฐ๐˜ธ๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ง๐˜ฐ๐˜ณ ๐˜ช๐˜ต๐˜ด ๐˜ฃ๐˜ณ๐˜ช๐˜ญ๐˜ญ๐˜ช๐˜ข๐˜ฏ๐˜ต ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ณ๐˜ช๐˜ท๐˜ข๐˜ญ๐˜ด ๐˜ญ๐˜ข๐˜ณ๐˜จ๐˜ฆ๐˜ณ ๐˜ฑ๐˜ช๐˜ข๐˜ฏ๐˜ฐ๐˜ด, ๐˜ฎ๐˜ข๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต ๐˜ข ๐˜ค๐˜ฉ๐˜ฆ๐˜ณ๐˜ช๐˜ด๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ต ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ค๐˜ฉ๐˜ฐ๐˜ฐ๐˜ญ.

The story of Blรผthner pianos begins with Julius Blรผthner, who was born in Falkenhain, Germany, in 1824. Initially a cabinet-maker, Blรผthner founded his piano-making business in 1853. His dedication and innovation quickly garnered attention; his pianos were showcased at the Industrial Exhibition in 1854 and later adopted by the Leipzig Conservatory. By the turn of the 20th century, Blรผthner had become Europeโ€™s second-largest piano manufacturer, producing both grand and upright models that were celebrated worldwide.

๐—œ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ, ๐˜๐—ต๐—ฒ ๐˜๐—ฟ๐—ฒ๐—ฎ๐˜€๐˜‚๐—ฟ๐—ฒ๐—ฑ ๐—•๐—นรผ๐˜๐—ต๐—ป๐—ฒ๐—ฟ ๐—ด๐—ฟ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฎ๐˜ ๐—จ๐—ป๐—ถ๐—ผ๐—ป ๐—›๐—ถ๐—ด๐—ต ๐—ฆ๐—ฐ๐—ต๐—ผ๐—ผ๐—น ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ๐—ฑ ๐˜‚๐—ฟ๐—ด๐—ฒ๐—ป๐˜ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป.

Zelda Oosthuizen, the schoolโ€™s senior music teacher, enlisted the expertise of Mark Davis from Mark Davis Piano Service in Cape Town to restore the instrumentโ€™s mechanism. ๐—ง๐—ต๐—ฒ ๐—ฟ๐—ฒ๐˜€๐˜๐—ผ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฝ๐—ฟ๐—ผ๐—ฐ๐—ฒ๐˜€๐˜€ ๐—ฏ๐—ฒ๐—ด๐—ฎ๐—ป ๐—ผ๐—ป ๐Ÿญ๐Ÿฐ ๐——๐—ฒ๐—ฐ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ, ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ผ๐—ป๐—ฐ๐—น๐˜‚๐—ฑ๐—ฒ๐—ฑ ๐—ผ๐—ป ๐Ÿฎ ๐—๐—ฎ๐—ป๐˜‚๐—ฎ๐—ฟ๐˜† ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ, ๐—ฒ๐—ป๐—ฐ๐—ผ๐—บ๐—ฝ๐—ฎ๐˜€๐˜€๐—ถ๐—ป๐—ด ๐—ฎ๐—ฝ๐—ฝ๐—ฟ๐—ผ๐˜…๐—ถ๐—บ๐—ฎ๐˜๐—ฒ๐—น๐˜† ๐Ÿญ๐Ÿฑ๐Ÿฎ ๐—ต๐—ผ๐˜‚๐—ฟ๐˜€ ๐—ผ๐—ณ ๐—บ๐—ฒ๐˜๐—ถ๐—ฐ๐˜‚๐—น๐—ผ๐˜‚๐˜€ ๐˜„๐—ผ๐—ฟ๐—ธ.

The restoration focused on revitalizing components that had experienced wear and tear over the decades. Worn cloth, felt and leather were replaced with new materials, including key mortise bushings, backcheck leather, and various felt components.

Additionally, new hammer shanks, flanges and hammerheads were installed, with all center pins replaced to optimize friction and mechanical performance. Each friction point and surface was carefully lubricated, ensuring smooth operation, before the action was reassembled and regulated for optimal performance.

๐˜›๐˜ฐ ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ช๐˜ข๐˜ฏ๐˜ฐโ€™๐˜ด ๐˜ข๐˜ถ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ค๐˜ช๐˜ต๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฒ๐˜ถ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ, ๐˜ข๐˜ญ๐˜ญ ๐˜ณ๐˜ฆ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ด ๐˜ธ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ด๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ๐˜ฅ ๐˜ง๐˜ณ๐˜ฐ๐˜ฎ ๐˜ณ๐˜ฆ๐˜ฑ๐˜ถ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ด๐˜ถ๐˜ฑ๐˜ฑ๐˜ญ๐˜ช๐˜ฆ๐˜ณ๐˜ด ๐˜ด๐˜ถ๐˜ค๐˜ฉ ๐˜ข๐˜ด ๐˜‘๐˜ข๐˜ฉ๐˜ฏ ๐˜—๐˜ช๐˜ข๐˜ฏ๐˜ฐ ๐˜š๐˜ถ๐˜ฑ๐˜ฑ๐˜ญ๐˜บ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ฃ๐˜ฆ๐˜ญ ๐˜—๐˜ช๐˜ข๐˜ฏ๐˜ฐ ๐˜—๐˜ข๐˜ณ๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐˜Ž๐˜ฆ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜บ. Mark Davis took great care to replace only those materials that had suffered significant deterioration, preserving the unique character of the Blรผthner while restoring it to excellent playing condition.

In an additional effort to accommodate the local climate, the piano was pitch-corrected and tuned to A442. This tuning choice considers Graaff-Reinetโ€™s humid summer climate, preventing the pitch from dropping too far during the drier winter months. By tuning to A442 in summer, the piano maintains an optimal pitch range throughout the year, ensuring that its musical integrity remains intact.

๐—ง๐—ต๐—ฒ ๐—ฟ๐—ฒ๐˜€๐˜๐—ผ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—•๐—นรผ๐˜๐—ต๐—ป๐—ฒ๐—ฟ ๐—ฃ๐—ฎ๐˜๐—ฒ๐—ป๐˜ ๐—š๐—ฟ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฎ๐˜ ๐—จ๐—ป๐—ถ๐—ผ๐—ป ๐˜€๐˜๐—ฎ๐—ป๐—ฑ๐˜€ ๐—ฎ๐˜€ ๐—ฎ ๐—ฟ๐—ฒ๐—บ๐—ฎ๐—ฟ๐—ธ๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ณ๐—ฒ๐—ฎ๐˜, ๐—ฐ๐—ฒ๐—น๐—ฒ๐—ฏ๐—ฟ๐—ฎ๐˜๐—ถ๐—ป๐—ด ๐—ฏ๐—ผ๐˜๐—ต ๐˜๐—ต๐—ฒ ๐—ถ๐—ป๐˜€๐˜๐—ฟ๐˜‚๐—บ๐—ฒ๐—ป๐˜โ€™๐˜€ ๐—ฟ๐—ถ๐—ฐ๐—ต ๐—ต๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ถ๐˜๐˜€ ๐—ฐ๐—ผ๐—ป๐˜๐—ถ๐—ป๐˜‚๐—ฒ๐—ฑ ๐—ฟ๐—ผ๐—น๐—ฒ ๐—ถ๐—ป ๐—ป๐˜‚๐—ฟ๐˜๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ๐—ฎ๐—น ๐˜๐—ฎ๐—น๐—ฒ๐—ป๐˜ ๐—ถ๐—ป ๐—š๐—ฟ๐—ฎ๐—ฎ๐—ณ๐—ณ-๐—ฅ๐—ฒ๐—ถ๐—ป๐—ฒ๐˜.

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